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Nick Cooper

Nick Cooper

I have a life-long fascination with the works of H.G. Wells, particularly his troubled film collaborations with Alexander Korda, reflected in my contributions to the Network DVD and Blu-ray releases of Things to Come (1936). This has led to a wider interest in 1930s British films, and in particular issues of preservation, availability, and – inevitably – copyright status. The social context of 1930s cinema overlaps somewhat with my work on the Home Front during the Second World War, via my books London Underground at War (2014) and City on Fire: Kingston upon Hull 1939–45 (2017). Tube Screen, an in-depth guide to the London Underground in film and television is next due to be published, followed by a definitive account of the production and history of Things to Come.

  • Alfred Hitchcock: Dial © for Copyright, Part 4

    by Nick Cooper 7th September 2018

    United States movies The first ever complete copyright history of the Master’s American movies All have an unbroken chain of title but that hasn’t stopped the bootleggers NONE are in …

  • Alfred Hitchcock: Dial © for Copyright, Part 3

    by Nick Cooper 7th September 2018

    British Films For the first time: the complete copyright history of the Master of Suspense’s British films They’ve been fully protected in the UK and many other countries since they …

  • Alfred Hitchcock: Dial © for Copyright, Part 2

    by Nick Cooper 30th August 2018

    United States Law Exploding the public domain myth about the early films of the Master of Suspense In the US ONLY, some of Hitchcock’s works were public domain – but …

  • Alfred Hitchcock: Dial © for Copyright

    by Nick Cooper 30th August 2018

    British Law Iconic director who made many of the most revered and critically acclaimed movies of all time ALL of his films are copyrighted worldwide but many falsely claim the earliest are …

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