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Writing on a Classic

  • Writing on a Classic: Dial M for Murder (1954), Part 2

    by Brent Reid 27th April 2026

    Alfred Hitchcock’s carefully planned, three-dimensional thriller was a big hit… in 2D Iconic blonde Grace Kelly cements her star power playing a rich, unfaithful housewife Robert Cummings, star of Saboteur, …

  • Writing on a Classic: Dial M for Murder (1954)

    by Brent Reid 27th April 2026

    Revisiting contemporary and modern critical appreciation Frederick Knott’s transatlantic hit play gets Alfred Hitchcock adaptation First of three classics with Oscar-winning blonde and future royal Grace Kelly Director meticulously planned …

  • Writing on a Classic: I Confess (1953)

    by Brent Reid 26th April 2026

    Revisiting contemporary and modern critical appreciation Alfred Hitchcock’s Catholic dilemma makes gripping film noir Star Montgomery Clift’s priest plunged into an existential crisis Stark black and white photography highlights Quebec locations Priest …

  • Writing on a Classic: Strangers on a Train (1951)

    by Brent Reid 24th April 2026

    Revisiting contemporary and modern critical appreciation Back with a bang: Hitchcock back on top after string of box office flops Edge of your train seat: dark heart of this film …

  • Writing on a Classic: Stage Fright (1950)

    by Brent Reid 15th July 2025

    Revisiting contemporary and modern critical appreciation Alfred Hitchcock’s thriller confounded audiences then and now The film world is but a stage: theatrical intrigue behind the scenes Note: this is part …

  • Writing on a Classic: Under Capricorn (1949), Part 2

    by Brent Reid 3rd February 2025

    Revisiting more contemporary and modern critical appreciation Alfred Hitchcock goes south – of the equator, to deliver mixed results Costume drama split the critics but all agreed on its technical …

  • Writing on a Classic: Under Capricorn (1949)

    by Brent Reid 3rd February 2025

    Revisiting contemporary and modern critical appreciation Alfred Hitchcock continued long-take experiment he started on Rope Ingrid Bergman is a woman on the edge – but not “driven by the demons …

  • Writing on a Classic: Rope (1948), Part 2

    by Brent Reid 30th January 2025

    Revisiting more contemporary and modern critical appreciation Alfred Hitchcock presents a “real-time” play – and it’s a real killer! Film’s complex filming techniques pushed technological boundaries Underappreciated at the time, …

  • Writing on a Classic: Rope (1948)

    by Brent Reid 30th January 2025

    Revisiting contemporary and modern critical appreciation Alfred Hitchcock’s macabre murder-thriller play in 80 minutes Simulated lack of cutting creates the illusion of real-time action Director discussed the film’s production in …

  • Critics Choice: Notorious (1946)

    by Andrew Sarris 16th January 2025

    Leading film critic Andrew Sarris praises Alfred Hitchcock’s wartime masterpiece Ingrid Bergman, Cary Grant and Claude Rains come together in deadly ménage à trois Conflicted loyalties: Psychosexual fireworks explode against …

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